The TV Round-Up

So, it’s coming to the close of 2010 and subsequently, the end of the a bunch of tv show runs. So, here’s what I think about a couple of them. Spoilers ahead (this isn’t the Sixth Sense, what’s there to spoil? By the way, Bruce Willis was dead all along)

Boardwalk Empire – Season 1

I stayed away from this show for a couple of episodes because period dramas aren’t really my thing. I didn’t want to get into some Scorcese “Gangs of New York” indulgence, but I finally got round to it and my god, what a brilliant series. Steve Buscemi holds the show together almost single-handledly with his consistently note-perfect performance throughout the entire season. He is officially Enoch Thompson to me. He commits completely to a thoroughly diverse and complex character of quiet depravity and sociable cruelty. Season 1 has barely scratched the surface of his evilness and Boardwalk Empire has created the perfect antihero. Always seemingly in control of his emotions, he lets this break free (the torching of his father’s home) occasionally to let the audience glimpse some semblance of a soul, which I admit to holding on to through his next cruel act. I constantly question his motives and intentions. The writing for this show is truly amazing and on form for almost all characters.

Its one letdown (for me) would have to be Michael Pitt. I found it difficult to stomach his acting throughout the entire show – and he does have a pretty big role to play. He looked uncomfortable in every scenario (he looked awkward playing the lover, the fighter and the Judas). I constantly wished that someone else was cast in his role because it’s truly an interesting and complex role (war past, young father, budding criminal) and his deadpan style and glassy eyes does absolutely nothing for me. He seemed like a poor man’s Ryan Gosling to me and as much as I hate shows that do this, I would be more than happy if they did a complete body swap for the second season.

Two supporting cast members that stick out for excellent contributions to the show would have to be Paz de la Huerta as Lucy Danziger (Nucky’s once-paramour) and Jack Huston as Richard Harrow, the marksman turned gangster. Their performances are so spot-on, emotional and believable. They added great value to the show. This show really has it all for me: quick pace, complex storylines, lots of cursing and sex. If you like boobies, this show is for you. It makes me remember HBO, in all it’s glory.

Sons of Anarchy – Season 3

It’s no secret how amazing I think this show is. Beyond its completely stellar and comfortable cast, it’s got plot aplenty and it makes one hour feel like 10 minutes. I’ve described this show as a “mind-fuck” and it was a constant ride from the first to the last episode. There is a serious level of commitment to each and every episode, down to Celtic-ising the theme song, when a bunch of episodes took the team to Ireland. I loved how the show took me uncomfortably close to Jax sleeping with his sister (unknown to either of them) and it got me thinking, “Oh, god, are they going to make us watch this?! What if he’s actually Clay’s son, which is why this is happening?”.

But here’s what I love most about this show. For something so modern and kick-ass, most of its mystery and appeal lies in its past and not always in the future. With Sons of Anarchy, you get a feeling of a deep-rooted and twisted past, which occasionally bubbles to the surface. And while the storyline careens forward, it keeps you looking in the rearview mirror to see what’s happening behind. To support this brilliance, was the iPhone app released a couple of months ago that delves into this dark past and sheds a lot of light into the founder(s) of the MC and is a total accessory to understanding the show. I always appreciate that the characters are true to form and life – and are never flat or one dimensional. They personify both good and evil in one being. Take the matriach, Gemma – a brilliant mother to all but she is one cold bitch, and as the final episode left off, apparently a lot more capable of darkness than imagined. And every character has this duality that draws them further away from being typical “bikers” – even Tig has a soft spot for his little puppy. 🙂 What a sweetheart. I love Tig. If you haven’t started on Sons of Anarchy, stay in on a weekend and trust me, you will go through 3 seasons in 2 days.

Weeds – Season 6

I have no idea why I’ve continued to watch this show, past season 3. Or whichever season it was that weed stopped actually being involved. This show should now be called “Self-Indulgent Woman with a little hash on the side”. Whatever saving grace and magic the character “Nancy Botwin” had is long gone. This show is officially over for me. Doug is obviously a crowd pleaser but his character is tired and should have been retired, along with Celia. Andy is over-used to compensate for Nancy’s whininess and the dwindling humour in the show. Shane is the bad guy? Are you serious? The little kid that totes the Tex-Mex baby around and steals a pram? Silas, to me, is the last bastion of hope for the show and he was completely way sided for the introduction of Richard Dreyfuss, whom was a mildly distracting element but nothing can hold this show together anymore. It has ripped at the seams like an old dimebag. The best episode of this season was the last. I’m sick of the whole lot of them.

The Big C – Season 1

I thought I’d give this one a try – things were a little slow and honestly, it’s not that bad but it’s not that great either. Laura Linney is a great actress but I don’t think this was the role for her. Basically, this role is Nancy Botwin with cancer, instead of weed. Mary-Louise Parker, however, is a truckload hotter than Laura Linney, which makes it believable that every man wants to fuck her. I have no clue why her oncologist is in love with her – or why Idris Elba is nuts over her. Her character is so fraught with insipid complexity that it feels fake. There is no depth or personality given to anything – not the environment, the town, the neighbour, the son, the brother or her family life or past. Basically, it’s a woman who has been diagnosed with cancer and then plays skip-rope with it (Do I want to be mean? A good mother? A mother with no boundaries? A whore? A good wife? Spend money? Save money? Die? Live?). Frankly, the show gave me no reason to care to begin with. Oliver Platt is the only bright spark throughout but let’s move him to another, more enjoyable show. His talent is wasted here.

Glee – Season 2

Sorry, cast of Glee, but I’ve stopped believing. What was this season – the summer of Kurt? Look, gay people are fine, but this effeminate over the top wanker has got to go. If he stopped for a second to stop whinging, he might realise he gets all the attention – in both schools, and even at his father’s wedding. Good jeepers, how many songs does Kurt get – sitting there, can’t believe his luck that the song is for him, the annoying faux-twinkle in his eye. Any more episodes, and I would have slushied him in the face myself. After 2 seasons, absolutely nothing has changed and no character has grown. Rachel is still the Jewish hooker with the heart of gold (didn’t she get too much into Christmas?), Schuester is lost, Sue is mean, Mercedes is fat, Artie can’t walk, Tina is Asian, Santana is a slut, Brittany is stupid, Puck is a delinquent and Finn is still the singing jock. 2 whole seasons and they did nothing with it except sing into the asses of Britney, Gaga, Madonna and godknowswho else. The episode with Gwyneth Paltrow was like watching a Celine Dion Live dvd while getting a root canal. Every episode is convenient, poorly written and has no purpose or value. Go Glee, go. No seriously, just go.

The Walking Dead – Season 1

Sigh. I had high hopes for this one. I love a good zombie flick as much as the next chick but this one went as fast as the zombies could walk (which is very slowly) (oh, I’m sorry, they’re called “walkers”) and I finally shot this series in the head after episode 3. That’s right – it only made it as far as 3 episodes for me. That’s how far the initial gore rush went. This series could have used a little more strategy. Yes, we all like the gore value but shit, it’s got to tell a story and show us an endpoint. I had no idea what was going on, how they were going to survive and what the endpoint was – but here’s the flaw of the show, I didn’t care. From the first episode, all that mattered was the Sheriff getting to his family, so once episode 3 came round, and they were reunited, I really didn’t care what happened after that. I don’t like cheap plot twists (stuck in a tank… oooh, here’s a voice from the wilderness. Need to get out of the building, oh by the way, rub guts on yourself so they won’t recognise you’re alive) – they make me feel stupid for not knowing the answer the writers didn’t know themselves, 5 minutes ago. If I get really bored over the holidays, I might catch up on this one but I doubt it.

Married To Rock – Season 1

Is this when my credibility vanishes? I am loving Married To Rock – an E! reality tv show featuring the wives of Perry Farrell, Duff McKagan, Steve Stevens and Billy Duffy. Firstly, I love those guys so I appreciate any glimpse into their lives. Perry Farrell for god’s sake! It’s fun, sexy and a great way to pass half an hour. It’s also amusing to see Steve Stevens turn up at his wife’s door holding a Hello Kitty toy. Steve Stevens! BLS! This show is just 3 episodes in, so no critique just yet but you can’t really critique a reality tv show – they’re mostly guilty pleasures. I actually watch Jersey Shore and Teen Mom. Enough said.

Coming in 2011

Big returns to the tiny screen for 2011 – everyone’s favourite bad boy, Hank Moody, returns for the 4th season of Californication. The Borgias starts for everyone who asked “Now what?” at the end of The Tudors and Big Love returns in full force for a 5th season. Big Love has consistently been one of my favourite shows (multiple, complex plots – that’s where it’s at, for me).

Hope this mini-critique helped anyone trying to decide what show to catch up on/drop for the holidays!

I’m An Old (New) Romantic.

Anyone who has ever dated me should be able to testify that I am not a romantic person. Or maybe I’m just a romantic person in denial. Regardless, whenever I am dragged to see a so-called “romantic” movie in the cinema, I am the person muttering, “someone kill me now” during the climatic romance scene, when all the other “regular” women are swooning.

I recently re-watched “He’s Just Not That Into You” on TV and hated it as much as I did when I watched it in the cinema. My God, that’s not even a chick flick – that’s a chick flick for chicks who have only ever had one boyfriend and still read Sophie Kinsella. Basically, the kind of nightmare chicks I avoid speaking to at events – you can spot them usually dressed in all-pink or all-white.

I also tried watching “Valentine’s Day” – and even with no expectations, that was a lower than low movie experience. “Back-Up Plan” wasn’t too bad (I’ll admit to generally enjoying Jennifer Lopez movies) if that hot Aussie wasn’t such a dud.

And then, I decided to re-watch “Dirty Dancing” for the millionth time and from the movie Johnny utters, “Nobody puts Baby in the corner” – I was hugging my pillow with glee and giddiness. Now, we are talking about one of the most contrived storylines ever (guy from the wrong side, girl coming of age), set in one of the most mocked genres – the dance movie. But what the hell is it that has me acting like a 15 year old – wishing I could do that lift? Is it because it’s a movie I grew up with that makes me more prone to being the target audience? Would a girl who just turned 18 find this movie as romantic?

So, I got to thinking about movies that generally turn me into a blubbering, hormonal female.

The kiss during Garden State gets me more than the final scene, at the baggage belt. There’s something so awkward about it that makes it feel more real and in the moment. And yes, my giant crush on Zach Braff may or may not have something to do with it.

Ok, ok, Richard Gere is ridiculously hot and once again, we have the ol’ storyline of the guy from the wrong side of the tracks and a seemingly impossible love. Trouble, strife, trouble… and finally, the romantic climax. Way to go, Paula, indeed. Everyone likes Debra Winger here so no-one can be mad about this one. But it’s so contrived and god me, I love this movie. Richard Gere striding through that what-seems-to-be-a paper mill (stereotype: men in uniform) until he finally scoops her up (stereotype: white knight) and rescues her from factory mediocrity (and paper cuts).

Oh, Hubbell, Hubbell, Hubbell. You just couldn’t handle a lady like our Babs. This movie is obviously older than my time, but goddamn it, I’m bawling like a baby every time I watch it. Until today, I can’t wrap my head about the concept. He loved her, I’m sure but he couldn’t live her with? Was she too much conviction for vanilla soul? Or was her passion simply too exhausting? Did she just love the idea of being with the kind of person that was never interested in her? Even just listening to the damn theme song makes me blubber. Can it be that it was all so simple then? Or has time rewritten every line? Lovely.

Have new romance movies lost the plot – or basically, run of good plots? Everything has been done – the inter-racial relationships, (Guess Who, Our Family Wedding) the different background relationships (every movie ever made), the holiday movies (see: The Holiday and Leap Year), high school movies (John Hughes is dead, so everyone should just not bother anymore) so maybe the notion of new romance doesn’t exist. We live in a post-modern world where everything has been done (except for Lady Gaga’s very innovative meat dress).

What else is there by way of romance? It has been relegated to the lowest form of entertainment in the cinemas – people would rather watch Inception 3 million times over and discuss the spinning top than pay to watch a romantic movie and admit it. Right now, this the current Top 10 Movies in the box office:

1. Resident Evil
2. Takers
3. The American
4. Machete
5. Going the Distance
6. The Other Guys
7. The Last Exorcism
8. The Expendables
9. Inception
10. Eat Pray Love
11. The Switch

Oh, new romance, wherefore art thou?

Dear Noah.

I’ve had the recent, immense pleasure of catching Greenberg on DVD. This would be the 3rd movie from Noah Baumbach that I’ve personally enjoyed and wouldn’t necessarily recommend to anyone that I know.

There’s an open despondence to Baumbach’s films – a haunting loneliness to his characters that always come accompanied with social awkwardness. But Baumbach handles it with such fluidity and naturalness that you not only sympathize with the character but start to realise that you’ve had these moments yourself. The discomfort at parties, not always saying the right thing, rejection, loss and general personality displacement. Baumbach successfully dislodges his characters from the fun world around them and yet always gives them an elevated sense of superiority.

And Greenberg was no different. In a role originally meant for Mark Ruffalo, Ben Stiller stepped in (Zoolander who?) and played it perfectly. He always looked so uncomfortable that all you wanted to do was give him a hug and say, “It’ll be ok”. The character was written with such forgivable flaws and yet the same time, seems like the kind of person you would write-off in your own life. Noah Baumbach does complicated very well – maybe that’s why I like his films. Here’s the trailer for Greenberg.

[youtube=http://www.youtube.com/watch?v=HVcIUSpz2v0]

The first movie from Baumbach that I fell in love with was “The Squid and the Whale”. A gorgeous, earthy film – which sees the same flaws and sense of loss in Jeff Daniels – whom you both like and dislike at the same time (Baumbach’s speciality). He did the same with Nicole Kidman’s character with “Margot at the Wedding” – which is probably the only movie where I legitimately enjoyed a Jack Black performance. What I especially enjoy from Baumbach movies is that he doesn’t necessarily give you the starry Hollywood ending you crave and he never lays down “life” in black and white. Since when is real life black and white to begin with? As much as I love the people in my life, there’s ultimately some facets that bugs the shit out of me – and I’m sure they feel the same about me. But he does add the layer of slight surrealism to the characters, else you’d feel you’re watching a film about your own life, and seriously, who wants that?

So, if you’re in the mood to take mildly meandering walk through complicated, pretentious minds, I would strongly recommend Baumbach’s films.

Here’s the trailer for The Squid and the Whale and for Margot at the Wedding.

[youtube=http://www.youtube.com/watch?v=AXvBFgk1jGk]

[youtube=http://www.youtube.com/watch?v=_NQobRrZhvo]

My Watch-worthy.

It’s been a while since I wrote about my current favourite TV shows, so I thought I’d give a little update (to all 3 of you reading this site).

1. Sons of Anarchy

I have probably pimped this show to everyone I know – FX needs to get me some royalties. This has to be my ultimate current favourite show on TV right now. I stumbled upon it accidentally (don’t you just love it when that happens? It really strengthens your feelings of ownership) when I realised I couldn’t get it’s trailer out of my head. It caught my eye every time until I decided to finally sit down and give it a shot. And holy shit. I fell in love with the writing, the action, the speed, Katey Segal (who is mind blowingly brilliant) and of course, Charlie Hunnam, who is a super-hot hottie. Ron Perlman, of Hellboy fame, is in it as well, so from the get-go, I knew I wasn’t going to be disappointed.

I like my tv series fast paced and exciting, so Mad Men is definitely out (oh no, Don Draper fired Sal, the in-the-closet gay guy… oooh) but Sons of Anarchy hits the spot for plot, intrigue, sex, violence, murder and general mayhem.

Season 3 starts in September, so there’s plenty of time to catch up with the first 2 seasons. If you get hooked, it wouldn’t take you more than a couple of days to run through everything. Till the trailer for Season 3 comes out, here’s the trailer for Season 2.

[youtube=http://www.youtube.com/watch?v=3BVrfDiJMMg]

2. True Blood

It’s on to Season 3 now, and has not let up. It’s kept up the pace of violence (increased it even), and keeps widening the scope of its world. The first season focused heavily on the humans, the second on shape shifters and now, is finally taking us into Bill’s world. I absolutely adore Anna Pacquin and she plays her role of strong-innocence to perfection. James Frain is guest starring in this season (whom I’d missed as Thomas Cromwell in The Tudors) and is killing it as an obsessed, lunatic, driven vampire. He’s outdone Evan Rachel Wood as a guest star and I can’t wait to see what else he brings to the table.

I love shows that don’t drop the ball from season to season and True Blood has definitely achieved that, as has Big Love, which I eagerly anticipate Season 5 of. Watch True Blood’s Season 3 trailer here.

[youtube=http://www.youtube.com/watch?v=2tKCAtUJiOU]

3. Louie

On a considerably lighter note, I’m trying to get into FX’s (notice a theme here?) new comedy, Louie, by Louis C.K. Think a self-deprecating Seinfeld. It’s only been a bunch of episodes so the jury’s still out. I generally gauge how much I’m into a show by how fast I try to get my grubby hands on each new episode and Louie’s latest episodes kinda sat there for a couple of weeks before I exhausted everything else. It’s slowly picking up the pace and polish a little bit, so I guess I’ll stick with it and keep the faith. Check out Louie’s trailer.

[youtube=http://www.youtube.com/watch?v=JmYiOdtzHBk]

And to end off, goodbye to The Tudors, which closed after four brilliant seasons, that had even me, engaged in history. I was really quite sad when it ended and await Showtime’s new histo-drama, The Borgias.